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A Midsummer Night's Dram

Documentation of the evening to inaugurate the Painted Piano

19th JUNE 2002

RoadMovies at the Talbot Rice - HomePage

click here for the Installation of RoadMovies at the Talbot Rice: Documentation-I

click here for the Painted Piano: Documentation-II

 

 

The Programme

Rachmaninoff, Études-tableaux (from op.33)  Peter Lion, piano

Mahler, Lieder eines fahrenden Gesellen  Jeremy O'Sullivan, Ingrid Sawers

Nigel Osborne, Adagio ; Ed Harper, Scena  Will Conway, cello

Lyell Cresswell, Variations on a Theme by Charles Ives ("Songs My Mother Taught Me")

Will Conway, cello,  Matthew Studdert-Kennedy, flute

Ives, Songs My Mother Taught Me  Linda McNally, soprano, Richard Beauchamp, piano

Peter Nelson, Merzmusik (World Première of the revised version)

Susan Hamilton, soprano, Richard Beauchamp

Entr’acte des Charcuteries

Debussy, Violin sonata  Julia Rogers, Richard Beauchamp

 Berio, Sequenza I    Matthew Studdert-Kennedy

Neil Mackay, Shorings (World Première) 

Haflidi Halgrimmson, Hommage to Mondrian (Première of the revised version) 

Peter Evans, piano

Prokofiev, 5 Mélodies    Gershwin/Gout, song arrangements

Uli Fenner, violin, Peter Evans

Gershwin, arr.Finnissy, They're writing songs of love, but not for me

Richard Causton, Non mi comporto male (Scottish Première)

Ingrid Sawers, piano

Strauss, Malven; Gershwin, Summertime; Flanders & Swann, Misalliance

Virginia Kerr, soprano, Ingrid Sawers

Entr’acte des Fromages

Mairi Campbell & Dave Francis: "The Cast"

 

 

above, Peter Lion plays Rachmaninoff

below, Matthew Studdert Kennedy & Will Conway play Lyell Cresswell

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below, Richard Beauchamp accompanies Julia Rogers in Debussy

below, Virginia Kerr with pianist Ingrid Sawers,

who ended the evening with songs by Gershwin, Strauss, and Flanders & Swann!

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Programme Note by Jonathon Brown

The origins of tonight’s entertainment are simple :  in this, my first substantial exhibition in Edinburgh since leaving the city a decade ago, I wished to conjure some means of thanking the creative world in which I had had the luck to live and which had consisted most of all of the company of musicians, composers and performers alike.  An evening in which that company played and, what’s more, played as much as possible what they had written, became the starting point for a programme that now also includes music highlighting the French connection, the wayfaring theme, and even the reverse homage a composer can make to a visual artist    to say nothing of music wetter on the page than some of these canvases were when they set off from France.

I am very grateful and indeed touched by the willingness of the players tonight, some of whom have travelled from the south of France or Ireland to contribute raisins d’être to the gâteau, as well as to the infrastructure of the Hebrides Ensemble, which has meant that I have not repeated my organisational feat of putting on a piano recital without ordering the piano.

The company of art and drink and food has also been celebrated since we crawled from caves and it was a happy chance that brought to my attention the presence of an award-winning Scotsman making wine in France :  Alan Geddes of Château Mayragues, near the town of Gaillac, a Scot married to a French woman.  His generosity brings us an abundance of his most excellent, sun-drenched wine and reminds us that the sun never sets on the Scottish spirit.  Equally, to find Benoît, of “Made in France”, a Niçois married to a Scot and here now purveying the best of French produce in the capital, provided the irresistable partner to even the balance.

The cherry on the cake comes from Adam & Company, who have sponsored this evening’s champagne to launch the ship as well as the dram with which we may signal so many old alliances celebrated this evening.

Thank you all.

 

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