STATIONS OF THE CROSS
as from the Eyes of Jesus
The London Set
Life in the Studio:
A Personal Diary, January 2007

on this page
|
& some movie clips! |
on Other pages
Stations of the Cross — Home Page
London
THE pictures: http://www.villaparasol.com/SXSAxxi.htm
the MOLESKINE sketches: http://www.villaparasol.com/SXSAmsk.htm
The linen sketchbook: http://www.villaparasol.com/SXSAlsk.htm
work-in-progress: http://www.villaparasol.com/SXSAwip.htm
Duranus
THE pictures: http://www.villaparasol.com/SXdur.htm
Pictures with the artist in them are by Régis or Béatrice Boucly; the others are mine unless otherwise marked; all are © their taker.
Above, burnt sticks from Peggy's fireplace, with which the main drawing will be done...
Today, in the studio I make at the Salle Polyvalante in the Mairie of my village
north of Nice... the beginnings. A 30' roll of canvas (perhaps two thirds
of what will be used, perhaps less than that...) is laid upon the floor and
the panel
on which it will be cut is set up.
The 'Stations' will be 200 cms tall and 83 cms wide and these panels will each support a sheet of that canvas, so that I can work either against the wall — but at an angle — or flat, on tressles, for when it is important that the charcoal or ink or paint doesn't drip or run. Just to hand, a desk, with the charcoal and inks and the Moleskine Sketchbook that contains almost all of the preparatory material...
I begin with a scrap of canvas paper against two panels, just to be used to the scale...
and here the first marks are made:
Above, ready for action against the sunlight...
which has consisted of cutting the canvases!
The sheets can be tucked
over the top of the table planks at the Salle and the work done at that angle,
two or three at a time... I have put tissue paper at the foot, to catch
all the charcoal debris...
Then home to finish final sketches of each one.
Today, in preparation, I read and studied the book.
Tomorrow, I make the pictures.
Above, after completing 18 canvases in their first charcoal layer... Maybe two months of sketching and pondering and looking come to fruition in six hours' dusty scrawling with the shattering stubbly charcoal from the logs, on thirty square metres of canvas... There are 18 pictures — and there now will be 21 in all — but it is one work.
It had seemed a disadvantage to have to empty the Salle Polyvalante for a day mid way through my work (for the weekend to come) and yet that enforced timetable has proved like the flaw on which the greatest crystals grow...
A day of reflection gazing at the under-drawings...
Above, mon vieux holds forth... The first visitors and the first celebration; not that the pictures are finished, but to have started is the first triumph!
Above, the lunch of Solomon and the artist... Grand Cros 1995 and a Beaujolais Nouveau of 1978, fugitive bliss with the Mont d'Or... We discuss theology.
Later, company to
tidy the scraps...
Above, M. le Maire de
Duranus makes a speech at the Fête des Vœux for the New Year;
I have had to empty the studio for this occasion at which the Galette des Rois
is offered to the population of the
village — with sparkling wine of course...
I do my reportage act...
It is odd to be in 'my' studio with a crowd and faces so close; I am finding ideas for that sense of proximity... We do not see in 'stills' and from this supposedly inadequate camera come more charcoally images that have more life...
Above, village life goes on; a day of 'admin.' and of chewing things over...
Above, trusty Cauliflower laden with a batch of table-tops to be taken to the Salle Polyvalante; the picture was taken in front of the village church — for which I hope also to make a smaller (!) set of Stations — and where there was still the village Christmas crêche in which a model of the church appears strange beside the actual church...
In the right-hand image of the crêche you can just see up on the top right a model of the St Michel Chapel...
that overlooks the village by many hundreds of feet...
So, boards and all, today I repossess the Salle Polyvalante and the 21 Stations will now be placed upright each on their own surface, and in order, around the room...
to be placed around the room, for the next stage of composition...
Above, Stations I-VII along the north wall; below [left] IV-VI and [right] X-XII.
Above, contre-jour shadows on a window at the Chinese mission in Marseille; I am over for the day to see the gallery for a group show in March [click here] and with a friend needing a visa for China we have made a day of it. I cannot escape the Stations — I mean, what is it about tall narrow compositions that is so appealing?! (And they are so Chinesey!)
— and later, at lunch, trees still with leaves! — the sight of the waitress without her head also made me think about how much we need in a picture, or don't...
And so to home — to a more seasonal valley of Chinese scroll mists too.
Above, cold enough for a scarfe now, after raising the horizon on Station III and sketching in a worn right hand...
Friday 19th January
To Nice, to buy canvas (for three supplementary post-Resurrection scenes) and fixative and supplies...
Above, above the clouds; on a cloudy day there is only one way out, to rise above the clouds;
and, anxious with the final
few problems to solve, the metaphor was apt; with a friend we drove up to
beyond the clouds — by Bonson and on to Toudon and on up, then with passes and
valleys beyond, to re-enter the cloud again in time to eat...
On the way, I add to my collection of dead trees, here at —
— and at its summit [right] a strangely Golgotha-like terrain of broken ground.
The headland over Gourdon
in the pinkinsh evening light, but over the edge the entirety of the Alpes
Maritimes is wooly with complete cloud cover.
Above, breaking charcoal to have disciples break bread...
Above, with my Florentine cuddly, studio-mascot Santo, we start to believe we're there... What had I learned from yesterday's voyage in the mountains? — that colour emerges from grays...
The end is in sight.
So much so that one has a
temptations, um, to pontificate somewhat...
and after all these depictions of hands & faces, it makes for an odd picture; and yes, that's charcoal smudged on my face...
Above, and below, the last day; the pictures are done.
Below, I slap charcoal into the canvas; and [right] slide the canvas, wet with fixative, off the table to make way for another...
Wednesday 24th January
NOTE THAT HERE THE DIARY OF WORK ON THE PICTURES CEASES;
WHAT ELSE WILL COME WILL BE TO RECORD FRIENDS' VIEWING THE CANVASES IN DURANUS, BEFORE THEY GO TO LONDON...
Above, bread & wine ready for friends visiting...
MOVIES
Home-movie clip of Jonathon at work...
on Station VI:
www.villaparasol.com/StationsCross/press/070123bVI.avi
on Station X:
www.villaparasol.com/StationsCross/press/VIa.avi
on Station XX:
www.villaparasol.com/StationsCross/press/070121bXX.avi
on Station XXI:
www.villaparasol.com/StationsCross/press/070123bXXI.avi
All filmed by Régis & Béatrice Boucly!