H

 

The Moleskine Sketchbooks...

III

Moleskine I & II

 

As with the other notebooks, all the pictures that follow are done 'on the move'; most un-named portraits are of people I spot in a bar or on a train.  Volume III begins fiddling about with Japanese brush pens that have a decent - and so far, safe - resevoir of ink and which take really well to the Moleskine paper...  The entirety of the rest of the notebook has continued with these pens.

 


 

Sketchbook Number 3 - Tall Format

 



Sketchbook No.3:

19.vi.VI  to  ...

 

First Doodles with new Japanese ink-reservoir brush-pens...

and some one-line exercises after J.S.Bach...

 

pp.0/1/2/3

 

pp.4/5/6/7 

 

pp.12/13/16/17

 

pp.20/21

 

pp.14/15:

The bar at Bennett's, waiting for Mairi...

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Studies for the Tile Mural at Lagrasse...

 

This section (still under construction) will document the creation of a large garden mural in tiles, July 2006...

 

 

p.32

 

p.33

 

p.36

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Down South-West Way... 

Céret, Prades, Lagrasse...

 

pp.34/35:

Céret, at a café in the great tall-tree short avenue;

— did Braque & Picasso & Dufy take an apéro here away from the easal?

 

pp.38/39:

Prades, at a café opposite the church;

— did Casals take an apéro here away from rehearsal?

 

pp.65 & 66/67: The bridges of Lagrasse

 

p.69:

Waiting for Robert at Nîmes

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A Sortie with George in the Alps

 

Duranus - Isola - Colle Lombarda (2350m) - Santuario di S.Anna - Vinadio - Colle della Maddelena - Barcelonnette [Les Buissons/ Jausiers] - Col d'Allos (2240m) - Thorame-Haute - Annot - Duranus

 

pp.72/73: Isola

 

pp.75 & 76/77:

These and the following drawings are all of the valley of S.Anna, descending between the Col de la Lombarde and Pratolungo, by Vinadio.

 

pp.78/79 & 81

 

p.91:

Planning tall canvases of the valley of S.Anna

 

 

pp.93 & 94/95

 

p.83:

Luncheon at Vinadio...

 

pp.96/97: 

Towards Annot, steep downward vista as we go uphill from Thorame-Haute...

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London to France, from the Alehouse to Macon...

 

pp.88/89 

Waiting for Robert at The Lamb & Flag...

 

pp.98/99: 

Rooftops in Macon, from the Hôtel de l'Europe & de l'Angleterre

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Cézanne in Aix and Myself in Cucuron...

 

On the occasion of a visit to the Luberon, visits to the exhibition Cézanne en Provence at the Musée Granet in Aix, and an afternoon in Cucuron under the trees...

 

pp.104/105: "Il nous regarde...";

The bust of Cézanne & the jardin des fumeurs at the Musée Granet...

 

pp.108/109:

"Elle nous regarde..." tandis que je la regarde

flowing locks of the official girl between the rooms at the exhibition...

 

pp.114/115:

"L'animation de l'animatrice...": A guide guides in grimaces past the paintings...

 

pp.116/117: 

The Granet gardens again from the exhibition window...

 

pp.118/119:

Aix: "Les repoussoirs du Cours Mirabeau...";

or: "Across the street and into the Deux Garçons..."

 

pp.120/121:

Cucuron: No parking but a glass of wine in the plane tree avenue by the étang...

 

pp.122/123: 

The great plane tree at Cucuron...

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A Day in Pisa, lunch in Ventimiglia

 

22/23.ix.VI

 

 

pp.126/127 & 134/135:

Café Centro (piazza Garibaldi) & Lo Sfizio (Borgo Stretto)...

 

pp.150/151:

Looking back up to the market, by the Loggia di Banchi...

 

pp.136/147: Museo dell'Opera dell'Duomo, Pisa:

quick studies of various thoughts in Donatello's bronze bust of San Rosssore (1427) — the worry, the calm; the care, the abrogation; and the greatest stubble in Western art...

 

NB: in Moleskine II, some studies of figures by Pisano; click here.

 

Ventimiglia: pondering the sea again on the way home...

 

p.153:

Ristorante Stella Marina, XXM; 232.ix.VI

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October: London again...

 

10-14 & 21-23.x.VI

 

pp.158-159: Bacon grill... David Hockney & Sandy Nairne take questions in the basement of the National Portrait Gallery; 11.x.VI

 

pp.166-167 & 182-183; 12 & 21.x.VI

Contre-jour topers by the chandelier and the hanging flowers at The Harp; — and the view down Adelaide Street again...

 

  pp.169, 170 & 171:

With glimpses too of the Polish girl pensively pulling the pints...

 

pp.162-163 & 177; 13; 21.x.VI

left: Sitting under my tangling friend the tree at The Hare & Hounds, Godstone...

right: Thinking of the fountains of Aix...

 

  p.174-175; 21.x.VI 

Back row, Nice to Heathrow; BA; complete with gin-&-tonic on the way, thank you very much!

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The Rehearsal Orchestra:

at the Grey Coat St Michael's Sports Hall, Pimlico, 22.x.VI

Excerpts from Götterdämmerung...

 

These are studies for a larger sheet, all done from the side balcony during the afternoon rehearsals... 

The larger sheet:

ink in brush pen on 2 sheets of paper, 23" x 31½"

 

p.184-185; Tuba mirum...

 

 

pp.186 & 187; 188 & 189;

left: First trumpet, reading when not writing...

middle: Viola with low trousers...

two right: Two glances at the chap at the back of the fiddles...

 

pp.190-191; First harp...

 

pp.192-193;

Contentissimo at the back desk...

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The Westminster Arms, Westminster, 23.x.VI

 

pp.206-207;

The Westminster Arms

 

 

pp.194-195 & 196-197; the taps and a doodle...

 

pp.198-199;

Spanish woman smoking in the far corner by the mirror...

 

  pp.200-201 & 203;

Two studies of François while he wasn't looking...

 

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