The Moleskine Sketchbooks...
III
As with the other notebooks, all the pictures that follow are done 'on the move'; most un-named portraits are of people I spot in a bar or on a train. Volume III begins fiddling about with Japanese brush pens that have a decent - and so far, safe - resevoir of ink and which take really well to the Moleskine paper... The entirety of the rest of the notebook has continued with these pens.
Sketchbook Number 3 - Tall Format
Sketchbook No.3:
19.vi.VI to ...
First Doodles with new Japanese ink-reservoir brush-pens...
and some one-line exercises after J.S.Bach...
The bar at Bennett's, waiting for Mairi...
Studies for the Tile Mural at Lagrasse...
This section (still under construction) will document the creation of a large garden mural in tiles, July 2006...
Down South-West Way...
Céret, Prades, Lagrasse...
Céret, at a café in the great tall-tree short avenue;
— did Braque & Picasso & Dufy take an apéro here away from the easal?
Prades, at a café opposite the church;
— did Casals take an apéro here away from rehearsal?
pp.65 & 66/67: The bridges of Lagrasse
Waiting for Robert at Nîmes
A Sortie with George in the Alps
Duranus - Isola - Colle Lombarda (2350m) - Santuario di S.Anna - Vinadio - Colle della Maddelena - Barcelonnette [Les Buissons/ Jausiers] - Col d'Allos (2240m) - Thorame-Haute - Annot - Duranus
These and the following drawings are all of the valley of S.Anna, descending between the Col de la Lombarde and Pratolungo, by Vinadio.
pp.78/79 & 81
Planning tall canvases of the valley of S.Anna
pp.93 & 94/95
Luncheon at Vinadio...
Towards Annot, steep downward vista as we go uphill from Thorame-Haute...
London to France, from the Alehouse to Macon...
Waiting for Robert at The Lamb & Flag...
Rooftops in Macon, from the Hôtel de l'Europe & de l'Angleterre
Cézanne in Aix and Myself in Cucuron...
On the occasion of a visit to the Luberon, visits to the exhibition Cézanne en Provence at the Musée Granet in Aix, and an afternoon in Cucuron under the trees...
pp.104/105: "Il nous regarde...";
The bust of Cézanne & the jardin des fumeurs at the Musée Granet...
"Elle nous regarde..." tandis que je la regarde;
flowing locks of the official girl between the rooms at the exhibition...
"L'animation de l'animatrice...": A guide guides in grimaces past the paintings...
The Granet gardens again from the exhibition window...
Aix: "Les repoussoirs du Cours Mirabeau...";
or: "Across the street and into the Deux Garçons..."
Cucuron: No parking but a glass of wine in the plane tree avenue by the étang...
The great plane tree at Cucuron...
A Day in Pisa, lunch in Ventimiglia
22/23.ix.VI
pp.126/127 & 134/135:
Café Centro (piazza Garibaldi) & Lo Sfizio (Borgo Stretto)...
Looking back up to the market, by the Loggia di Banchi...
pp.136/147: Museo dell'Opera dell'Duomo, Pisa:
quick studies of various thoughts in Donatello's bronze bust of San Rosssore (1427) — the worry, the calm; the care, the abrogation; and the greatest stubble in Western art...
NB: in Moleskine II, some studies of figures by Pisano; click here.
Ventimiglia: pondering the sea again on the way home...
Ristorante Stella Marina, XXM; 232.ix.VI
October: London again...
10-14 & 21-23.x.VI
pp.158-159: Bacon grill... David Hockney & Sandy Nairne take questions in
the basement of the National Portrait Gallery; 11.x.VI
pp.166-167 & 182-183; 12 & 21.x.VI
Contre-jour topers by the chandelier and the hanging flowers at The Harp; — and the view down Adelaide Street again...
With glimpses too of the Polish girl pensively pulling the pints...
pp.162-163 & 177; 13; 21.x.VI
left: Sitting under my tangling friend the tree at The Hare & Hounds, Godstone...
right: Thinking of the fountains of Aix...
Back row, Nice to Heathrow; BA; complete with gin-&-tonic on the way, thank you very much!
The Rehearsal Orchestra:
at the Grey Coat St Michael's Sports Hall, Pimlico, 22.x.VI
Excerpts from Götterdämmerung...
These are studies for a larger sheet, all done from the side balcony during the afternoon rehearsals...
ink in brush pen on 2 sheets of paper, 23" x 31½"
pp.186 & 187; 188 & 189;
left: First trumpet, reading when not writing...
middle: Viola with low trousers...
two right: Two glances at the chap at the back of the fiddles...
Contentissimo at the back desk...
The Westminster Arms, Westminster, 23.x.VI
The Westminster Arms
pp.194-195 & 196-197; the taps and a doodle...
Spanish woman smoking in the far corner by the mirror...
Two studies of François while he wasn't looking...